Charlie is still developing his original comedy screenplays “Round Trip Ticket”
and “New Year’s, Easter, and the Fourth of July.” He has worked with dozens
of writers and producers as a script reader and advisor.
For an inquiry about rates for script coverage, email cb@charlesbowe.info
“In this day and age when everyone is a screenwriter and script coverage can cost more than a month’s rent, Charles Bowe offers, quick, concise, affordable script analysis that doesn’t bear the mark of a frustrated author yet is attentive to the real issues that need to be resolved in your work. He has been helpful to me when I am looking for direction in the early drafts of my scripts, and need solid, trusted coverage from a friendly but unbiased resource.”
Jayce Bartok, Screenwriter, “The Cake Eaters”
“Charles honed and shaped a script into something that would work creatively as well as for the producers. Cannot recommend him highly enough.”
- Judd Rubin, Producer, Head of Development for The Matthau Company
“Charlie read through my script and came up with the essence of the story in a simple, cohesive manner. He then gave me suggestions which enabled me to rewrite the script and come in as a semi-finalist in all four big contests I entered. His insight was invaluable.”
- Gila Zalon, Writer/Producer, Back Pocket Productions
“When Charlie reads a draft or a treatment of a script, he always gives you options. ‘If you want to tweak it, do this.’ ‘If you want to do major surgery, try one of the following.’ ‘You might ALSO consider trying this.’ He’s easy to work with, he gives all options a fair hearing, and his assessments are right-on most of the time, which is saying a lot.”
- Elias Plagianos, Writer/Director, “The Crimson Mask”
“Charles Bowe has an especially strong grasp of what works on the page. He helped me refine a late draft of my feature, which later found a solid cast based on the merit of the script.”
- Teddy Schenck, Writer/Director “7E”
“Charles Bowe is that rare film-maker who’s also a writer’s writer. A day spent simplifying a subplot is his idea of fun. Every time I show him something I’ve written, it comes back to my in-box shorter, clearer, and closer to my original intention.”
- Morgan Dews, director, “Must Read After My Death”
For an inquiry about rates for script coverage, email cb@charlesbowe.info
“In this day and age when everyone is a screenwriter and script coverage can cost more than a month’s rent, Charles Bowe offers, quick, concise, affordable script analysis that doesn’t bear the mark of a frustrated author yet is attentive to the real issues that need to be resolved in your work. He has been helpful to me when I am looking for direction in the early drafts of my scripts, and need solid, trusted coverage from a friendly but unbiased resource.”
Jayce Bartok, Screenwriter, “The Cake Eaters”
“Charles honed and shaped a script into something that would work creatively as well as for the producers. Cannot recommend him highly enough.”
- Judd Rubin, Producer, Head of Development for The Matthau Company
“Charlie read through my script and came up with the essence of the story in a simple, cohesive manner. He then gave me suggestions which enabled me to rewrite the script and come in as a semi-finalist in all four big contests I entered. His insight was invaluable.”
- Gila Zalon, Writer/Producer, Back Pocket Productions
“When Charlie reads a draft or a treatment of a script, he always gives you options. ‘If you want to tweak it, do this.’ ‘If you want to do major surgery, try one of the following.’ ‘You might ALSO consider trying this.’ He’s easy to work with, he gives all options a fair hearing, and his assessments are right-on most of the time, which is saying a lot.”
- Elias Plagianos, Writer/Director, “The Crimson Mask”
“Charles Bowe has an especially strong grasp of what works on the page. He helped me refine a late draft of my feature, which later found a solid cast based on the merit of the script.”
- Teddy Schenck, Writer/Director “7E”
“Charles Bowe is that rare film-maker who’s also a writer’s writer. A day spent simplifying a subplot is his idea of fun. Every time I show him something I’ve written, it comes back to my in-box shorter, clearer, and closer to my original intention.”
- Morgan Dews, director, “Must Read After My Death”